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literary criticism and lesson plans by Kelly Plante
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It’s all in the family (business): Divided Power and Organizational Behavior In King Lear, Act 3

Othello and the Drama of Basic Cable: A Lesson Plan

Lesson Plan for: Dividing kingdoms, people, and minds: King Lear, Act 1

Shakespeare’s Prince: A Lesson Plan for Contemplating Shape-Shifting & Authenticity in Shakespeare’s Henry IV Part 1

Fortune’s Fool: A Lesson Plan for Romeo & Juliet

Where Two Raging Fires Meet: Using Online Dating to Teach Taming of the Shrew

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From Nepal to Rochester; Or, Trekking with Jane Eyre

Less is More: Haywood’s Fantomina and Women’s Compensation for Roles of Lover and Writer

The Road to Riches Is Paved with Prudishness and Prose

The Legend of Pamela: Or, “Oh the sword! The sword!” in which Pamela Defeats Villains Equipped with Nothing but Physical Weakness and Verbal Strength

Satire as Antidote: Anti-Pamela and Shamela

Tomfoolery as Teacher: A Raucous Romp through Lusty Ladies and Treacherous Taverns Punctuated by Chance Encounters with Good Samaritans with your Host, Parson Adams

The Castle of Otranto Deconstructs Romance and Realism with the Crash of a Helmet

A Virtual Tour through The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning by Deidre Shauna Lynch

Book Report: The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning by Deidre Shauna Lynch

The 18th Century Marriage Market as per Evelina’s Lord Orville and Sir Clement Willoughby

Eliza Haywood and Empire: Exposing Empire in the Female Spectator

Constructing and Performing Masculinity in the Novels of Richardson, Radcliffe and Austen

Character and Context in Equiano and Swift

“The Power of my Pen”: Wielding Subjectivity to Engage and Influence the Collective Experience of the Nation

Dividing the Kingdom: Non-Monarchical Perioditization of English Lit

Jealousy and Public/Private Rebellion in Leonora Sansay’s Secret History

Strictures on the Modern System of Miss Thoughtless, Miss Milner and Miss Price’s Educations

“You’re a real woman now; you’re making babies.” Homeownership, body-ownership, in Jane Austen’s Persuasion/now

Severing sex from violence in Colonial/North America: a legacy

Investigation (part 1 of 2): Untangling the mystery of Salem’s witches

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Category: Literary Criticism

On Bradstreet’s “The Author to her Book”

Bradstreet’s “The Author to her Book,” published in 1678 in the second edition of Bradstreet’s Several Poems, according to the editorial note, sums up some...

Kelly Plante

Confessions of a Cross-dressing Nun

After St. Euphrosina’s father leaves her cell, thinking he is leaving the cell of a (to him) random cloistered male monk that the abbott (inexplicably)...

Kelly Plante

Crystal Coldness in Wroth’s P. to A.

The third from the final of Wroth’s crown of sonnets, F4, in Pamphilia to Amphilanthus contains imagery of, well, images—specifically the “lov’d Image of thy...

Kelly Plante

To Sleep, Perchance to Dream, with Lady Mary Wroth

Lady Mary Wroth’s sonnet sequence, Pamphilia to Amphilanthus, begins in the dark and by the end of this first section we are studying, P36 (within...

Kelly Plante

Footnoting Lanyer’s Salve Deus

First I must get out of the way how pointless I found 80-90 percent of the footnotes in Salve Dues. The ones that provided detail...

Kelly Plante

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  • Vision
  • 18th Century
  • Life Writing
  • History of the Self
  • Gender
  • The Novel
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    • Literary Criticism
    • Lesson Plans
  • About the Author