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literary criticism and lesson plans by Kelly Plante
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It’s all in the family (business): Divided Power and Organizational Behavior In King Lear, Act 3

Othello and the Drama of Basic Cable: A Lesson Plan

Lesson Plan for: Dividing kingdoms, people, and minds: King Lear, Act 1

Shakespeare’s Prince: A Lesson Plan for Contemplating Shape-Shifting & Authenticity in Shakespeare’s Henry IV Part 1

Fortune’s Fool: A Lesson Plan for Romeo & Juliet

Where Two Raging Fires Meet: Using Online Dating to Teach Taming of the Shrew

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From Nepal to Rochester; Or, Trekking with Jane Eyre

Less is More: Haywood’s Fantomina and Women’s Compensation for Roles of Lover and Writer

The Road to Riches Is Paved with Prudishness and Prose

The Legend of Pamela: Or, “Oh the sword! The sword!” in which Pamela Defeats Villains Equipped with Nothing but Physical Weakness and Verbal Strength

Satire as Antidote: Anti-Pamela and Shamela

Tomfoolery as Teacher: A Raucous Romp through Lusty Ladies and Treacherous Taverns Punctuated by Chance Encounters with Good Samaritans with your Host, Parson Adams

The Castle of Otranto Deconstructs Romance and Realism with the Crash of a Helmet

A Virtual Tour through The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning by Deidre Shauna Lynch

Book Report: The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning by Deidre Shauna Lynch

The 18th Century Marriage Market as per Evelina’s Lord Orville and Sir Clement Willoughby

Eliza Haywood and Empire: Exposing Empire in the Female Spectator

Constructing and Performing Masculinity in the Novels of Richardson, Radcliffe and Austen

Character and Context in Equiano and Swift

“The Power of my Pen”: Wielding Subjectivity to Engage and Influence the Collective Experience of the Nation

Dividing the Kingdom: Non-Monarchical Perioditization of English Lit

Jealousy and Public/Private Rebellion in Leonora Sansay’s Secret History

Strictures on the Modern System of Miss Thoughtless, Miss Milner and Miss Price’s Educations

“You’re a real woman now; you’re making babies.” Homeownership, body-ownership, in Jane Austen’s Persuasion/now

Severing sex from violence in Colonial/North America: a legacy

Investigation (part 1 of 2): Untangling the mystery of Salem’s witches

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A Virtual Tour through The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning by Deidre Shauna Lynch

To my English 7024, Rise of the Novel Colleagues at Wayne State: Here is a link to my book report presented October 24, 2017 regarding...

Kelly Plante

The Castle of Otranto Deconstructs Romance and Realism with the Crash of a Helmet

While early novelists such as Daniel Defoe, Samuel Richardson, and Henry Fielding wielded realism to differentiate their works of fiction from the previous works of...

Kelly Plante

Tomfoolery as Teacher: A Raucous Romp through Lusty Ladies and Treacherous Taverns Punctuated by Chance Encounters with Good Samaritans with your Host, Parson Adams

Parson Adams would rather be a fool (or play one) than boast street smarts or be wise in the ways of the world, which would...

Kelly Plante

Satire as Antidote: Anti-Pamela and Shamela

Dear Readers, After outlining the top five reasons for which Pamela "is by no means innocent," the mock editor of Fielding's Shamela writes: "What hath...

Kelly Plante

The Legend of Pamela: Or, “Oh the sword! The sword!” in which Pamela Defeats Villains Equipped with Nothing but Physical Weakness and Verbal Strength

Emerging victorious after conquering the first bosses presented in Pamela: Or, Virtue Rewarded, the Would-Be Ravishing Rake Mr. B. and his servant, “do as I’m...

Kelly Plante

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  • Vision
  • 18th Century
  • Life Writing
  • History of the Self
  • Gender
  • The Novel
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    • Literary Criticism
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  • About the Author